Richard Wagner

Of this type was Richard Wagner .

这种艺术家的典型是理查德·瓦格纳。

The name of this monster was Richard Wagner .

这位怪人的名字就是理查德·瓦格纳。

Lots of analysis available , relate the music back to the influence of Richard wagner .

可以找到很多有关这个时期的音乐分析，需要把这些音乐于瓦格纳的影响联系起来。

Pass the analytical introduction make reader understanding Richard Wagner consummate opera creations creations skill .

通过分析介绍使读者了解瓦格纳精湛的歌剧创作创作手法。

Romanticism and Realism : On the Musical Drama of Richard Wagner

论华格纳乐剧里的浪漫与现实

Richard Wagner was equally unscrupulous in other ways .

理查德·格纳在其他方面同样无所顾忌。

Nineteenth-century German composer Richard Wagner died on February 13 at the age of 69 .

1883年2月13日，德国十九世纪作曲家瓦格纳逝世，享年69岁。

She will be replaced temporarily by Richard Wagner , chief justice of the Supreme Court of Canada .

加拿大最高法院首席大法官理查德·瓦格纳将暂时接替她的职务。

German composer Richard Wagner died .

德国作曲家瓦格纳逝世。

Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight .

关于希腊文明，理查·瓦格纳（RichardWagnner）曾说过：音乐夺去了它的光辉，正如太阳之下爝火无光。

Richard Wagner famously created the hidden orchestra that was placed in a pit between the stage and the audience .

理查德·瓦格纳创造出了著名的隐藏起来的管弦乐队，乐队被安排在舞台与观众之间的一处区域。

Richard Wagner is a genius .

理查得。瓦格纳是个天才。

An admirer or a disciple of Richard Wagner . This piece of orchestral music was written by Wagner .

作曲家瓦格那的崇拜者或门徒这支管弦乐曲是由瓦格纳写成的。

Richard Wagner is a voluntarism in behavior and a pessimist in thought , his thought and philosophy impenetrate into his music compositions .

理查德·瓦格纳是行为上的唯意志论者和思想上的悲观主义者。瓦格纳的一生的思想和哲学贯穿在他的音乐作品中。

Unfortunately , the king wasn 't able to enjoy his masterpiece for very long - he died less than a year after it was completed , and Richard Wagner died long before .

不幸的是，国王却没能长时间地享受他的杰作——完成该建筑不到一年的时间他便逝世了。然而，理查德·瓦格纳在很久以前就去世了。

Inspired by Richard Wagner 's operas , the young King Ludwig sought to re-create the legendary dreamworld of medieval knights and heroes .

年轻的路德维希国王受到瓦格纳歌剧的启发，想要再造传说中中世纪骑士英雄们的奇幻世界。

It never occurred to Richard Wagner that he and his doingwere not of the most intense and fascinating interest to anyone withwhom he came into contact .

理查德格纳压根儿就没有想过，与他有过交往的人，并不感到他这个人和他所做的事最富有情趣、之倾倒。

Thorough , study these systematically two the heads hum a regret to adjust in the Richard Wagner opera the creations to create esthetics thought , topic contents , history position now the body ;

深入、系统地研究这两首咏叹调在瓦格纳歌剧创作中所体现的创作美学思想、题材内容、历史地位；

The castle was commissioned by the king of Bavaria not only as a private retreat , but also as an homage to the famous composer Richard Wagner .

城堡是由巴伐利亚国王所建，它不仅是一个私人寓所，更是对著名的作曲家理查德·瓦格纳的敬意。

The paper approaches Richard Wagner 's , who was the great master of the 19th European romanticism music , artistic ideas , style and its influences to his afterworld from the aesthetics angles .

本论文从美学的角度，探讨了19世纪欧洲浪漫主义音乐大师瓦格纳的创作思想、风格以及对后世的影响。

Based on the Germanic myth " Das Nibelungenlied " and the Nordic " Volsunga Saga " which also inspired the four-opera cycle by Richard Wagner and J.

根据德国民间诗史《尼白龙根之歌》和北欧《沃尔松格传说》改编。

Germany gets the most kudos in this category , however , as it nursed numerous household names such as Ludwig van Beethoven , Richard Wagner and Johann Sebastian Bach into classical legend .

德国在音乐方面享有最多的荣耀，众多家喻户晓的音乐家都是德国人，例如古典作曲家路德维希·凡·贝多芬、理查德·瓦格纳、约翰·塞巴斯蒂安·巴赫。

Perched on a peak in the Bavarian Alps , the gray granite castle rises to towers , turrets and pinnacles and contains many paintings with scenes from Richard Wagner operas admired by Ludwig .

耸立于巴伐利亚阿尔卑斯山脉的一座山峰上。灰色花岗岩城堡由塔楼、炮台、尖顶组成，其中收藏了许多为路德维希所欣赏的理查德•瓦格纳歌剧的场景绘画。

Work hard for to make this text become thorough systematically analytical , research introduction the Richard Wagner work of creations special features and sing on stage the article of the important point , become carrying on teaching and studying a worthy reference to the Richard Wagner work .

力争使本文成为深入系统地分析、研究介绍瓦格纳作品的创作特色及演唱要点的文章，成为对瓦格纳作品进行教学与研究有价值的参考资料。

Schopenhauer , whom Richard Wagner , with special reference to this point , praises for an unsurpassable clearness and clarity of exposition , expresses himself most thoroughly on the subject in the following passage which I shall cite here at full length ( Welt als Wille und Vorstellung , I , p. 309 ) :

理查·瓦格纳，特别关于这个问题，盛赞叔本华的阐明是不可超越地明晰和精辟。叔本华在下面这段中讲得最为详细，我试征引他的全文如下：